Conflicting natures collide.
"So raise a glass to teenage girls for their linguistic innovation. It expands our expressive vocabulary, giving us new words and modes of expression. Speakers may nostalgically look to a previous golden era of English, but the truth is that Shakespeare’s English is an abomination of Chaucer’s English, which is an abomination of Beowolf’s. Language is inherently unstable. It’s in a constant state of flux, made and remade—stretched, altered, broken down and rearranged—by its speakers every day. Rather than a sign of corruption and disorder, this is language in its full vitality—a living, evolving organism."
"The only way to make sense out of change is to plunge into it, move with it, and join the dance."
Tatiana Maslany on Kathryn Alexandre
↳"There were times on set where I was so tired and I just didn’t know how I was going to get through the day, how I was going to remember my lines, how I was going to even just be there and she would show up and give me everything and it was like I just fell in love with her. She just was so there for me and so giving of all of her energy and all of her work. That’s the ultimate generosity as an actor.
The is in my opinion one of the most interesting and amazing processes currently in TV production. And I find Maslany’s so sincere and honest gratitude and appreciation absolutely beautiful; so beautifully human.
"Minha alma tem o peso da luz. Tem o peso da música. Tem o peso da palavra nunca dita, prestes quem sabe a ser dita. Tem o peso de uma lembrança. Tem o peso de uma saudade. Tem o peso de um olhar. Pesa como pesa uma ausência. E a lágrima que não se chorou. Tem o imaterial peso da solidão no meio de outros."
Wire; acrylic on canvas; 18x15 in